Fringing on a Saturday Night

It's not that usual for me to go see events in the official festival, so this year should hold a few treats as Sig Other has chosen one or two he fancies. He seemed surprised I would so readily see Philip Glass and his ensemble not knowing I've liked PG since first hearing his music when I was fairly young. I find it appealing, but being so musically untutored I would not be able to explain why.

Koyaanisqatsi (1983) Hopi for 'life out of balance' is the first in the Qatsi Trilogy. Sig Other reassuringly noted it is not about something without specific meaning or value. This averted much speculation on my part that would otherwise have completely distracted me from the experience of the film and music.

Definitely the best image from the film.

The Ensemble was a treat to listen to, in particular the vocals of Lisa Bielawa. Powaqqatsi and Naqoyaqatsi the other two films in the trilogy were on subsequent evenings, however, I don't think I would have fully appreciated the immersion in Philip Glass. Maybe I'll see them another time.

Because there is so much on at the fringe, instead of leaving Koyaanisqatsi and spending time reflecting on the impact this had on my, I wandered into another show.

Kiss of the Red Menace, a Tribute to Kander and Ebb was by no means a bad choice. Melody La Rouge and her four piece backing group put on a cheery performance of show songs from Chicago and Cabaret and some others which I'd not come across.  And if we hadn't gone then, we'd have missed it as this was her final show for this fringe.

Indeed the fringe throws up opportunities for strange juxtapositions. It's what makes it an exciting month. And exhausting!

Some art

Karen Forbes Solar pavilion in St Andrew's Square. It looks great from the outside and I'm not going to see the inside if I don't get there when it's open.

Edinburgh Art Festival runs roughly concurrently with the other festivals and I always make sure I see as much of this as I can fit in. Of course, I prioritise work by women as well as indulging in the odd exhibition that takes my fancy as I wander past tempting or intriguing posters.

Sometimes it's all a bit over my head and I work hard to remind myself that art is a broad category. There is something for everyone and the last thing I want is to be one of those encouraged to sneer at modern art by stick in the mud traditionalists.

Katri Walker has an installation titled North West in an old ambulance depot. It was the idea of claiming that sort of space which attracted me to the exhibition. Which was not that easy to find.

There was a film about someone making a film about a group of avid Aberdeenshire chappies in their cowboy role play group. There was a warmth and charm to this that counter-balanced my usual knee jerk assumptions about men having far too much disposable time and income. There was an absence of women; maybe their partners didn't fancy any roles traditional to women in the wild west.

What's not to like about Russian icons? An Edinburgh collector welcomed people into his front room to display a selling exhibition of his Russian icons. Ooooh! I want! Realistically though, they would be wasted in my hovel.

Wherein your correspondent gets pissed off

Fringing is not for the lackadaisical, laid back, devil may care types. It takes dedication, patience and a natural toleration of crap that few are gifted with. Certainly not me. Neither am I in the former set of categories. I'm a grumpy Edinburgh wummin coping with the annual influx of stop and start, pavement blocking nae idea how to use a bus tourists thronging most of city, or at least the centre of it. There are of course areas where there is no evidence of the cultural infestation of the inner metropolis*, areas which see no apparent economic benefit from the doubling of the population and spending spree for flat owners and bars.

When I worked in outer city areas of deprivation, it was easy to relate to the cultural disenfranchisement and occasional irritation of local folks at how the city was taken over for August each year. And their keen perception that there was nothing in it for them. Not least because even the fringe has become too expensive for many people.

There's been changes in recent years, with the Free Fringe taking up space in slightly further flung areas and now, even Leith has its own Fringe on offer. But the sense of, particularly the BBC types decamping north and mingling only with their own species persists.

The BBC are setting up camp in the heart of the main fringe area this year. If you look carefully, you'll notice as my sharp-eyed daughter did, that they've installed the bar, while still erecting other parts of the site.

I'm used to all this, though, so what is pissing me off is going to really badly described shows. There's only a few lines allowed to promote the show, but in the days of 140 character twitter, more effort could be put into concise accuracy. It's wasteful of my time to mislead potential audience about your show. The show below was so misleading! "Three sharp females" Huh.

Daughter arrived yesterday and insisted on going out in the rain to see something. I checked what was on offer in the limited time she had. It was always going to be challenging to find something we could agree on and it seemed that Vinegar Knickers present Sketchy beast could be it.

Nah.

I really want to support women breaking out the mold, women being funny, women learning their craft, women getting out there and onto a stage. I really want to say that these three young women are going to mature into great comedians, dancers, singers, actors. I can't.

Some of the material could have been good, delivered by comics possessed of a modicum of talent. Mostly, the material was as poor as the comics. Daughter agreed.

What really tipped me over the edge, was the use of music from a long discredited 70's glam rock popstar jailed for his abuse of girls abroad. And the disgraceful paedophile jokes. What is missing in the commonsense make up of so many comics that they consider jokes about domestic abuse, rape, child abuse, funny and even necessary to their act?

I'm not linking to this bunch. They do not deserve it.

*not sure Edinburgh can be designated a metropolis as it's so small.

Another go at fringing

Ticked another box with this fringing effort. The Festival of Spirituality and Peace offered a Japanese Tea Ceremony and this has long been a desire I wanted to fulfill.  The ceremony began with a young Japanese piper in a very fetching blue plaid kilt playing traditional Japanese tunes he'd arranged for the pipes. Different, but in a good way.

Then the beautiful gracious ladies began the tea ceremony. Sadly it was all too disturbed by tourists wandering in and photographing it and other comings and goings to be the relaxing event it is designed to be.

The audience all tasted the tea - not bad and sampled some other Japanese teas - very good, but we weren't told what they were.

I treated myself to Persian thick soup in a temporary Persian Tea house set up for the Festival. It smelt of unspeakable things, but they were so proud of their homemade food, it would have been heartless to leave it untouched. I bravely tried a spoonful. It was awful; not as bad as it smelt, but deeply unpleasant. I forced another mouthful and it got better. I ended up finishing it, but I will avoid it in future. I think it was the whey drizzled on top that was so bad.

Scuttled up the High Street and met a solid block of tourists. It took some doing, but I reached the Hub, to pick up tickets as instructed by Sig Other. More of this another day.

Time then to meet Y and her posse who were sensibly relaxing in the only empty cocktail establishment in town.  I was making up a fourth for the sets of two-for-oners purchased in anticipation of company by the posse.

The first show turned out to be less palatable than the vomit scented soup. Even the hardened fringe-going posse found Cul-De-Sac nasty and not a fit subject for comedy. Posse J thought it was akin to 1984 done in an hour. I was perturbed by the explicit bullying of one adult male by another about his experience of childhood sexual abuse. I have no problem with lines being crossed but this needed a trigger warning for any survivors in the audience who would have struggled with it.

This is a pity as the actors were fine, sets, props and direction good.

There was a quick turnaround and into Isy Suttie: Pearl and Dave. Pleasant Pleasance comedy. Soothing after our feathers were so collectively ruffled.

Fringing on a Sunday

I had plans for the day; they didn't work out, however it all ended up fine.  Began by missing the Sunday lunch music in the National Museum of Scotland. But I did get to the Art Festival event I had a ticket for.

No Show: A Screening of Artists' Films on Collections and Museums
Three short films chosen by Melvin Moti that are related to art and museums. Also his own film No Show.

Flash in the Metropolitan - Roaslind Nashashibi, Lucy Skaer
At only 3 minutes long, I didn't get time to absorb this and would need to see it many times to take in the short flashes of artefacts from the Metropolitan Museum of Art in New York.

Dylaby - Ed Van der Elsken
This really appealed to me. From 1962, black and white film of the exhibition at Stedeliijk museum in Amsterdam. The group of artists who made the exhibition included Niki de Saint-Phalle, who is one of my favourite artists. The film had some of her shooting paintings, but interactive, set up so visitors could shoot paint. If I knew how to link within this blog, I'd link to the post I did of her exhibition at Tate Liverpool a couple of years ago.

But there was much much more in this film. Certainly the best of the four I saw.

No Show - Melvin Moti
1944, the Hermitage, recently emptied by Russian soldiers. They are taken on a tour explaining what had been on the walls. Interesting, but didn't hold my attention fully.

Spiral Jetty - Robert Smithson
This left me wondering what the hell it was about. But when I explained it to Sig Other he knew all about it. He's a bit scunnersome at times, but mostly useful informationwise.
Follow the link if you are really interested.

The films went on longer than expected, so I missed the show I'd planned to see and decided to spend some time in the newly reopened museum. It's so much better than I'd thought it might be. I could rave about it.

 The dangly monsters hall is a hoot.
  
Tasteful temporary exhibition of glass. I want, I want!

Sooner rather than later, I exited the museum as the howling level of too many weans got to me. Time to go to a show.
This was a jolly show. Energetic young women in tweeds and hiking boots
mourning their lost friend Bertha. They came across a mountain man who fell in love with Hilda but had to call himself Mr Darcy before he could win her love. Much angst and wriggling around in their sleeping bags ensued. I wanted a time machine so I could go back, collect my daughter at an impressionable age, and show her this group of worthy role models. Even now, I think she'd enjoy it.

Drookit foto essay

Sometimes, I do things I never wanted to do. Sometimes they work out well, sometimes they don't. Or it can all be put down to experience, but not to be repeated.

My desire to say yes to anything coming my way overrode my common sense. G called saying she had a spare ticket to the Edinburgh Tattoo. I did pause for some thought, but decided to hope that the persistent rain yesterday would slacken off enough to make it worth while sitting on the ramparts of Edinburgh Castle.

Wrong! Bloody, bloody wrong.

Some positives: the queuing system is efficient, if shouty. But what do you expect from a military organisation. No umbrellas allowed in the que, fair enough, with something like 8000 ticket holders to shuffle up Castle Terrace, round into Castle Hill and funnelled into the esplanade. I salute their spokes in the aye avoidance protocol.

£16 million has been spent on new stands for the Tattoo. I've noticed them being built for the past several months, without taking any interest. After all, I wasn't going to go to the Tattoo, was I?

After I agreed to go, but before I set off, I checked on the Tattoo website. I wanted to know about the facilities. I've been to the odd rock concert and know all too well that large crowds and few loos are not much fun. Mention was made of the new plumbed in toilets. I was reassured. They turned out to be adequate.

According to the Culture Minister, the tattoo does well for the area:
"The net income from the tattoo last year was £7.96 million; it generated £34.37 million for the Scottish economy and supports over 780 jobs."


 
So I suppose it is worth it.

I took my camera, but the photos are not much better than useless and although I've fiddled about with them, they are not good. I put them up just to remind myself that I'd need a better camera if I wanted to photograph in the dark in a monsoon.
Stuff was projected onto the castle behind the display. It's too wet and hazy to make it out in the pic.
Squads of Scots and Irish traditional dancers bravely splashed about in the wet. They were smiling. I'd have gone home. I can't understand why their mother's let them do it. But maybe they were not as young as they looked.
This is the massed bands doing that marching thing where they march up to the end of the esplanade, then turn and march back through the ranks of the oncoming bands. It's usually impressive, but not when it's nearly impossible to see through the mirk.
I liked this. Mythical monster on the castle.

There were good things to see. The Dutch bicycling band, the Ledderhosen clad Germans chopping a tree trunk. The lone piper at the end was downright hair-raising - in a good way.

But I suppose the title gives it away. The Edinburgh Military Tattoo. I scoff not (for a change) because for many people, the military means something to them. At the end during a hymn to the fallen, the woman sitting in front of me was sobbing. For all my urban, sophisticated (cynical?) views on the armed forces, she has a different experience and I respect that.  But I was still stunned, to hear people actually singing the national anthem. In my immediate circle, it would be seen as so naff. I'm not fully republican, as I don't mind her maj, but I see no need to stand or sing to her.

I didn't buy a programme. it wouldn't survive the rain for a start. But the sequence of rain was as follows:
  • Arrive into the stands - rain decreasing leading to false hope that it might go off
  • Get seated, arrange plastic bag over my legs (huh!) - rain begins to increase
  • Programme starts - average rate of downpour
  • Programme continues - torrential rain
  • Later, as people begin to wriggle about, a flash flood down onto my chair wets me from the waist down
  • Later still, my waterproof coat gives up and leaks
  • Eventually, the rain was so heavy it was bouncing off my jacket and into my eyes
  • It receded to a mere persistent chucking it down as we exited and shuffled down the Mound.
I walked home, stood in a puddle of my own making outside my front door trying to think how not to soak my new hall carpet. I found that my legs were dyed black from my jeans and parts of me which had never been wet before were soaked.  At 2 am I made myself get out of a warm bath sprinkled with soothing aromatherapy oils trying to prevent aches, pains, coughs and colds today. Not sure this was entirely successful.

Morale of this story? Don't go out.

But I still like massed pipes and drums, can't deculturise this girl.